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The First Chapter : Interview with Kavieng Cheng (English ver.)

This conversation marks the tenth interview in the series *'Defining Moments: The First Start or the Turning Moment'*. We meet Kavieng Cheng, a multidisciplinary artist from Hong Kong whose practice flows between the roles of artist, art director, curator, and fashion photographer. For Kavieng, these are not separate professions but shifting lenses through which she interrogates reality—art as a phenomenological mode of existence, a continuous practice of sensing the world and questioning the given. Her work operates as an archaeology of the micro-psychological, drawn to the pre-linguistic realm: gestures that occur before words form, tensions held in the body, and fragmented moments that escape the conscious filter. Working across print, wood sculpture, and laser-cut forms, she explores the paradox between organic warmth and violent precision—a duality that mirrors the human psyche, structured yet chaotic, resilient yet profoundly fragile. It was her high school teacher Ms. ...

Egon Schiele's Portrait: Capturing Human Anxiety and the Inner Self

Austrian Expressionist Egon Schiele captured the anxieties of his time and his own inner turmoil on canvas. His works are characterized by distorted figures and rough, sharp lines that powerfully reflect his emotions. The subjects in Schiele's paintings often lay bare the anxiety and pain hidden beneath their skin, allowing viewers to see a reflection of their own fears and struggles.


In the early 1900s, Europe was experiencing a period of political and social upheaval. The decline of the Austro-Hungarian Empire and the looming specter of World War I generated widespread uncertainty and fear, exemplified by the increasing social unrest and the questioning of traditional values. In this context, artists began to question the established norms and societal order. Egon Schiele sought to explore the essence of human existence and individual anxiety within this shifting landscape, often using distorted figures and intense facial expressions to convey the rawness of these emotions. Through his work, Schiele portrayed the tortured human condition, visually representing the turmoil of his era. His subjects often appear in painful, twisted postures, with piercing gazes or unstable expressions that confront the viewer. These distorted depictions reflect Schiele's own internal conflicts as well as the chaotic society around him.


Two recurring elements in Schiele's works are 'nudity' and 'distortion.' He used these to lay bare the essence of humanity. Schiele's nudes are not about idealized beauty but rather a raw exposure of human nature, as seen in works like 'Nude Self-Portrait' (1910), where the vulnerability of the human form is laid bare. The figures born from his brushstrokes are filled with suppressed desires, loneliness, and fear. Their rough, furrowed expressions visually convey the complexity of their emotions. The skin tones are often pale or yellowish, with emphasized bones and muscles, highlighting human frailty and mortality. This stark depiction forces us to confront the unvarnished truth of our inner selves, which we often prefer to ignore.


One of Schiele's most powerful works, 'Self-Portrait' (1910), encapsulates his artistic vision. The composition's harsh lines and muted color palette convey a sense of anguish and introspection. In this self-portrait, Schiele vividly reveals his inner pain, inviting viewers to share in his turmoil. His gaze seems to challenge the viewer, with a face twisted by pain and anxiety. His eyes convey profound despair, while his elongated, distorted hands symbolize the chaos he faced internally. Through this self-portrait, Schiele acknowledges his own imperfections and confronts the fundamental vulnerability of human existence.


Schiele's works are also imbued with deep anxieties stemming from his personal experiences, such as losing his father to syphilis when he was fourteen, which greatly impacted his worldview and artistic output. He lost his father at a young age and grew up in an unstable environment, which led to an obsession with life and an equally powerful fear of death. These experiences profoundly influenced his artistic world, reflecting the loneliness and transience of human existence. These emotions are evident throughout his works, further emphasized by his use of color and composition. Schiele often contrasted bright colors with dark backgrounds to accentuate the emotions of his subjects, frequently placing them in empty, desolate settings to enhance their sense of isolation, as in works like 'The Family' (1918).


Egon Schiele's art is intentionally far from beautiful or graceful, as he sought to strip away superficial aesthetics to reveal the raw essence of humanity. His works often evoke discomfort, forcing the viewer to face the darkest parts of the human psyche. Yet it is through this discomfort that we come to understand the complexity of human emotions. Schiele's works compel us to face the contradictions within ourselves, offering a deep understanding of human nature. He was not merely interested in depicting the human body; he delved into the depths of emotion within it, staying true to the essence of Expressionism.


Schiele's distorted portraits symbolize the anxieties of his era and the solitude of the individual, reflecting the broader societal upheaval and existential dread that characterized early 20th-century Europe. His art demands that we accept the pain and vulnerability inherent in the human experience and find our true selves amidst the discomfort. Even a century later, the raw portrayal of humanity in Schiele's work continues to resonate deeply with us. Every time we encounter his art, we are brought closer to the truth of human existence, beyond vibrant colors or beautiful compositions, as we confront the raw, unfiltered nature of our own vulnerabilities.






References

1. The Decline of the Austro-Hungarian Empire and Social Changes: General historical references.

2. The Connection Between Schiele's Personal Experiences and His Works: Biographies and artistic analyses of Egon Schiele.

3. Analysis of 'Self-Portrait' (1910): Commentary on the work and studies in Expressionism.


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