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The Second Chapter : Interview with Neryhs Wo (Korean ver.)

   ‘예술가의 뮤즈’를 탐구하는 이번 여정의 일곱 번째 대화는 다학제적 예술가 네리스(Neryhs)의 세계로 우리를 초대합니다. 홍콩에서 태어나 런던과 멜버른에서 수학한 이 작가에게 창작이란 깊은 취약성을 드러내는 행위이자, 개별적인 정신 사이에 필연적으로 존재하는 간극을 잇는 다리를 건설하는 과정입니다. 네리스의 작업 세계는 가슴 뭉클한 모순에 뿌리를 두고 있습니다. 타인에게 온전히 이해받고 싶은 인간의 갈망과, 완전한 연결이란 본질적으로 불가능하다는 인식 사이의 대립이 그것입니다. 개인적인 트라우마와 '생존 모드'의 시간을 지나온 그녀는 이제 예술을 단순한 미적 추구가 아닌, 필수적인 '치유'의 형태이자 삶에 건네는 '무조건적인 사랑'의 그릇으로 바라봅니다. 그녀의 작업은 고독의 무게를 자기 발견이라는 확장된 자유로 변모시키며, 잃어버린 자아를 되찾는 고요하지만 강력한 선언이 됩니다. 이번 인터뷰에서 네리스는 최근의 변화를 상징하는 작품 <27th>를 통해 자신의 진화를 반추합니다. 이 작품은 삶의 한 계절을 마무리하는 '종착선'이자 새로운 시대를 여는 '출발선'이 되는 전환점을 마주하고 있습니다. 그녀는 자신의 창작 과정을 '알아차림(noticing)'이라 설명합니다. 예술가는 명료함의 불꽃 속으로 용기 있게 뛰어들어 무의식 속에 숨겨진 진실을 들추어내야 한다는 것입니다. 네리스에게 캔버스와 설치 공간은 상처를 선명하게 마주하는 장소이며, '회화적 은유'를 통해 차마 말로 다 할 수 없던 것들이 비로소 형상을 갖추게 되는 공간입니다. 관객을 대하는 그녀의 태도 또한 인상적입니다. 예술을 '사랑'과 유사한 무엇으로 보는 그녀는, 작품의 의미가 관객 각자의 고유한 지각을 통해서만 비로소 완성된다고 믿습니다. 이는 작가의 본래 의도를 넘어선 대화이며, 우리 모두를 그녀가 남긴 파편들 속에서 각자의 이야기를 발견하도록 초대합니...

Interview with Ur Kasin (English ver.)





Q. Welcome to U1 Gallery. We are deeply grateful for the opportunity to interview you. Thank you very much for your time. Could you please introduce yourself and your work? What inspired you to begin creating art?

A. My name is Ur Kasin. I was born in 98' in Bucharest, Romania. It's the same city I grew up in and the same city I live and work. I don't remember how I began creating art, it was a long time ago. Probably drawing on desks at school.

Actually, I painted the cat once and it was definitely before school, but she was NOT happy.




Q. Could you describe an artwork or series from your oeuvre that you consider pivotal in your career?

A. The Graphite Period. It's called that because all I knew then was to draw with graphite on paper. I was 19 and although I'd already made hundreds of works, none was for myself. I was totally drained so one day I just said f it and went my way.


Q. Could you elaborate on your creative process and the methods you use to express your work?

A. The process of creating in my case is always changing, But as a rule of thumb, I always go from small to big. The painting begins once the color palette is chosen, the color palette gets chosen once the contrasts are right, and this only happens after multiple charcoal drawings, but each charcoal drawing requires multiple sketches and so on.

The funny thing is that although a painting should be the final form of long thought, I sometimes feel like the sketches or the charcoal drawings express way more than the painting for witch the drawings were made.




Q. Are there any artists or specific works that have had a significant influence on you?

A. YES! And they are a lot! And not just visual artists. Anegrete Solteau, Corneliu Baba, Pompeo Girolamo Batoni, Utagawa Kuniyoshi, Mser (it's a dude who does graffiti in Bucharest), Cy Twombly, Oscar Niemeyer, etc.

I've made a special 'Thanks' page for most of them somewhere on the website. I say most because there's definitely more than one that I've missed.


Q. Where do you draw inspiration for your work?

A. Sometimes, inspiration feels like an infinite staircase, you need to have where to step to go a little higher. So I kinda take everything that I know and make a soup out of it. Maybe I'll take a part of a magazine, with a corner of my friend's kitchen, with a hand of a sculpture I saw a few years ago and POOF that's the inspiration for a painting. The next time I'll add a little more, and then a little more on top of that, and before realizing it, I was mixing hundreds of thoughts on the same canvas. Inspiration is closely tied to practice btw.




Q. What do you hope the audience takes away from your art?

A. I hope there's gonna be someone out there that sees my art and feels inspired by it, in any way, shape, or form. I would love to hear that they like it, but even 'c'mon man I could do that, I should start drawing' is good enough for me.


Q. What is your dream project? Could you share your future plans and aspirations as an artist?

A. Now that you ask, I never really thought about it. I'm working on a lot of stuff right now and it would be awesome one day to combine everything in a BIG exhibition, but I try to take things step by step and enjoy the process as much as I can. Time flies, you know?





Contact
Artist : 
Ur Kasin
Instagram : @ur_kasin

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