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The Second Chapter : Interview with Neryhs Wo (Korean ver.)

   ‘예술가의 뮤즈’를 탐구하는 이번 여정의 일곱 번째 대화는 다학제적 예술가 네리스(Neryhs)의 세계로 우리를 초대합니다. 홍콩에서 태어나 런던과 멜버른에서 수학한 이 작가에게 창작이란 깊은 취약성을 드러내는 행위이자, 개별적인 정신 사이에 필연적으로 존재하는 간극을 잇는 다리를 건설하는 과정입니다. 네리스의 작업 세계는 가슴 뭉클한 모순에 뿌리를 두고 있습니다. 타인에게 온전히 이해받고 싶은 인간의 갈망과, 완전한 연결이란 본질적으로 불가능하다는 인식 사이의 대립이 그것입니다. 개인적인 트라우마와 '생존 모드'의 시간을 지나온 그녀는 이제 예술을 단순한 미적 추구가 아닌, 필수적인 '치유'의 형태이자 삶에 건네는 '무조건적인 사랑'의 그릇으로 바라봅니다. 그녀의 작업은 고독의 무게를 자기 발견이라는 확장된 자유로 변모시키며, 잃어버린 자아를 되찾는 고요하지만 강력한 선언이 됩니다. 이번 인터뷰에서 네리스는 최근의 변화를 상징하는 작품 <27th>를 통해 자신의 진화를 반추합니다. 이 작품은 삶의 한 계절을 마무리하는 '종착선'이자 새로운 시대를 여는 '출발선'이 되는 전환점을 마주하고 있습니다. 그녀는 자신의 창작 과정을 '알아차림(noticing)'이라 설명합니다. 예술가는 명료함의 불꽃 속으로 용기 있게 뛰어들어 무의식 속에 숨겨진 진실을 들추어내야 한다는 것입니다. 네리스에게 캔버스와 설치 공간은 상처를 선명하게 마주하는 장소이며, '회화적 은유'를 통해 차마 말로 다 할 수 없던 것들이 비로소 형상을 갖추게 되는 공간입니다. 관객을 대하는 그녀의 태도 또한 인상적입니다. 예술을 '사랑'과 유사한 무엇으로 보는 그녀는, 작품의 의미가 관객 각자의 고유한 지각을 통해서만 비로소 완성된다고 믿습니다. 이는 작가의 본래 의도를 넘어선 대화이며, 우리 모두를 그녀가 남긴 파편들 속에서 각자의 이야기를 발견하도록 초대합니...

Gustav Klimt – "The Kiss: A Golden Manifestation of Love"

Gustav Klimt (1862–1918) is widely celebrated for his opulent, symbol-laden artworks that fuse themes of love, desire, and elaborate ornamentation. His masterpiece, The Kiss (1907-1908), stands as a pinnacle of his "Golden Phase," encapsulating the essence of love through dazzling gold embellishments and an abstract yet sensuous composition. More than a romantic image, this work embodies Klimt’s distinctive artistic vision and the aesthetic ideals of the Vienna Secession movement.

A Golden Embodiment of Love

The Kiss portrays a couple locked in an intimate embrace against a resplendent golden background. Klimt abandons traditional realism, favoring instead a decorative style influenced by Symbolism and Art Nouveau. The use of gold leaf, reminiscent of Byzantine mosaics, enhances the otherworldly, almost sacred aura of the piece, drawing the viewer into a timeless moment of passion and tenderness.

The contrast between the figures is striking—the male figure is enveloped in a robe adorned with geometric patterns, symbolizing strength and stability, while the female figure’s flowing dress is adorned with soft, organic floral motifs, reflecting fluidity and grace. These patterns do more than differentiate gender; they illustrate the harmony of opposites, as the figures merge into one transcendent form. Some art historians suggest that The Kiss was inspired by Klimt’s long-time muse and companion, Emilie Flöge, whose influence is believed to permeate many of his works.

Klimt’s Golden Phase and Byzantine Influence

The Kiss is one of the defining works of Klimt’s "Golden Phase," during which he incorporated gold leaf extensively to evoke a mystical and ethereal quality. This technique was inspired by his visit to Ravenna, Italy, in 1903, where he studied the elaborate Byzantine mosaics. The influence of these mosaics is evident in the flattened perspective and intricate detailing of his figures, which appear to exist outside of time and space.

Additionally, Klimt drew inspiration from Japanese woodblock prints, evident in his bold decorative elements and flattened compositions. The indistinct background in The Kiss avoids any specific setting, creating an atmosphere that transcends the material world. This lack of spatial depth elevates the painting beyond mere portraiture, transforming it into a universal symbol of love and connection.

Exploring the Essence of Love

Beyond its aesthetic beauty, The Kiss delves into the deeper essence of love and human intimacy. Klimt’s figures are both sensual and enigmatic, conveying an intricate balance between physical desire and spiritual transcendence. The woman's closed eyes and receptive posture suggest surrender and trust, evoking a sense of security and emotional fulfillment.

At the time of its creation, Klimt’s erotic and highly decorative style was met with both admiration and criticism. The conservative art establishment in Vienna often disapproved of his sensual themes, yet his work resonated deeply with those who embraced modernity. The Kiss reflects a fusion of traditional and avant-garde ideals, embodying both the intensity of passion and the serenity of devotion.

Klimt’s Legacy: A Bridge Between Symbolism and Modernism

The Kiss is not merely a decorative work; it represents the culmination of Klimt’s artistic philosophy. By departing from realism and embracing ornamental abstraction, he redefined the visual language of love, influencing later modernist and abstract movements. His flattened compositions and intricate patterns foreshadowed developments in both figurative and abstract art.

Today, The Kiss remains one of the most celebrated and recognizable depictions of love in art history. Housed in the Belvedere Museum in Vienna, it continues to draw millions of visitors annually, each captivated by its mesmerizing glow. Klimt’s work is not just an aesthetic marvel—it is an invitation to contemplate the enduring power of love. Within its golden embrace, we glimpse both the ephemeral and the eternal, the fleeting moment and the timeless bond of human connection.


References

  1. Belvedere Museum, ViennaGustav Klimt’s The Kiss

  2. National Gallery of ArtKlimt and the Vienna Secession

  3. The Art StoryGustav Klimt: Symbolism and Decorative Art 

  4. Oxford Art OnlineKlimt, Gustav 

  5. BBC CultureWhy Klimt’s The Kiss Remains a Timeless Icon of Love 

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