Skip to main content

Featured

The Second Chapter : Interview with Neryhs Wo (Korean ver.)

   ‘예술가의 뮤즈’를 탐구하는 이번 여정의 일곱 번째 대화는 다학제적 예술가 네리스(Neryhs)의 세계로 우리를 초대합니다. 홍콩에서 태어나 런던과 멜버른에서 수학한 이 작가에게 창작이란 깊은 취약성을 드러내는 행위이자, 개별적인 정신 사이에 필연적으로 존재하는 간극을 잇는 다리를 건설하는 과정입니다. 네리스의 작업 세계는 가슴 뭉클한 모순에 뿌리를 두고 있습니다. 타인에게 온전히 이해받고 싶은 인간의 갈망과, 완전한 연결이란 본질적으로 불가능하다는 인식 사이의 대립이 그것입니다. 개인적인 트라우마와 '생존 모드'의 시간을 지나온 그녀는 이제 예술을 단순한 미적 추구가 아닌, 필수적인 '치유'의 형태이자 삶에 건네는 '무조건적인 사랑'의 그릇으로 바라봅니다. 그녀의 작업은 고독의 무게를 자기 발견이라는 확장된 자유로 변모시키며, 잃어버린 자아를 되찾는 고요하지만 강력한 선언이 됩니다. 이번 인터뷰에서 네리스는 최근의 변화를 상징하는 작품 <27th>를 통해 자신의 진화를 반추합니다. 이 작품은 삶의 한 계절을 마무리하는 '종착선'이자 새로운 시대를 여는 '출발선'이 되는 전환점을 마주하고 있습니다. 그녀는 자신의 창작 과정을 '알아차림(noticing)'이라 설명합니다. 예술가는 명료함의 불꽃 속으로 용기 있게 뛰어들어 무의식 속에 숨겨진 진실을 들추어내야 한다는 것입니다. 네리스에게 캔버스와 설치 공간은 상처를 선명하게 마주하는 장소이며, '회화적 은유'를 통해 차마 말로 다 할 수 없던 것들이 비로소 형상을 갖추게 되는 공간입니다. 관객을 대하는 그녀의 태도 또한 인상적입니다. 예술을 '사랑'과 유사한 무엇으로 보는 그녀는, 작품의 의미가 관객 각자의 고유한 지각을 통해서만 비로소 완성된다고 믿습니다. 이는 작가의 본래 의도를 넘어선 대화이며, 우리 모두를 그녀가 남긴 파편들 속에서 각자의 이야기를 발견하도록 초대합니...

Georgia O’Keeffe – "Flowers and Deserts: Exploring the Essence of Nature"

A vast petal fills your vision. It is no longer just a flower but an entire world of shifting colors and fluid forms. Georgia O’Keeffe did not simply paint nature—she redefined how we see it, revealing the hidden rhythms and intimate details that often go unnoticed.


O’Keeffe’s Life and Artistic Journey

Georgia O’Keeffe (1887–1986) was born in Wisconsin, USA, and had a deep love for nature from an early age. She studied at the School of the Art Institute of Chicago and the Art Students League in New York, initially mastering realism. However, she soon moved beyond traditional artistic conventions to develop her own distinctive style.

From an early age, O’Keeffe was captivated by nature, yet she did not simply depict it—she sought to distill its essence. Her move away from realism was not just an artistic choice but a reflection of her desire to convey the profound emotional impact of the landscapes she loved. This pursuit became even more pronounced after her first encounter with the New Mexico desert, a place that would forever transform her work.

In 1916, photographer Alfred Stieglitz exhibited O’Keeffe’s work for the first time at his New York gallery, ‘291.’ This marked the beginning of their artistic collaboration, which eventually led to their marriage in 1924. Through Stieglitz, O’Keeffe gained recognition in the New York art scene, but her artistic vision increasingly focused on simplifying and emphasizing the forms and colors of nature.

Her artistic transformation reached a turning point in the summer of 1929 when she first visited New Mexico. The vast desert landscapes, red rock formations, and endless sky profoundly inspired her, becoming a dominant theme in her work. She spent every summer in New Mexico before permanently relocating there in 1949.


Flowers: A New Perspective on Nature

O’Keeffe’s flower paintings are not mere still lifes. She magnified flowers, emphasizing details and forms often overlooked.

  • Expanded Perspective: By enlarging flowers to an extreme degree, O’Keeffe created an immersive effect, drawing viewers into the intricate structures of nature. She explained, "I painted them big so people would notice them, as I wanted them to see what I see."

  • Organic Forms and Colors: Her flower paintings feature soft, fluid curves and delicate color transitions that capture the vibrancy of nature.

  • Interaction of Color and Sensation: For O’Keeffe, color was not just a visual element—it was a language. Red pulsed with energy and desire, while blue enveloped the viewer in a meditative calm. By magnifying her subjects, she compelled the viewer to engage with color and form in an intimate, almost tactile way, transforming the act of seeing into an emotional experience.


The Desert: Life Amidst Barren Landscapes

Starting in 1929, O’Keeffe frequently traveled to New Mexico, incorporating its desert landscapes into her paintings. Later, she permanently moved there, continuing to explore the desert’s colors, light, and topography.

  • Red Rocks and Arid Scenery: She portrayed desert rocks and mountains in simplified forms and bold colors, not as mere landscapes but as manifestations of nature’s raw energy.

  • Animal Skulls and the Cycle of Life: Many of O’Keeffe’s works feature animal skulls, symbolizing the arid conditions of the desert and the cycle of life. To her, skulls were not just symbols of death but representations of nature’s resilience and continuity.

  • Expansive Skies and Infinite Space: The desert was not a barren landscape but a place of profound renewal. The starkness of the terrain, the bleached skulls, and the infinite sky were all reminders of nature’s resilience and impermanence. In stripping nature down to its core elements, she mirrored her own artistic pursuit: finding beauty in simplicity, strength in solitude, and eternity in the ephemeral.


O’Keeffe’s Influence on Modern Art

Georgia O’Keeffe’s work has profoundly influenced contemporary artists, and her artistic philosophy continues to resonate today.

  • Connection to Abstract Art: Although not fully abstract, her simplification of forms and focus on essential elements link her work to abstract art.

  • Independence as a Female Artist: At a time when the art world was dominated by men, O’Keeffe established a unique and independent artistic voice.

  • A New Way of Seeing Nature: Her work transformed nature from a mere subject into a sensory and emotional experience, inspiring modern artists to explore similar themes.

  • Impact on Fashion and Design: O’Keeffe’s use of bold color and organic forms has influenced fashion, graphic design, and architecture, where nature’s elements are distilled into minimalist yet evocative expressions. Her influence extends beyond fine art into contemporary design and fashion. Her bold color compositions are echoed in modern minimalist aesthetics, from the stark color blocking in haute couture fashion to the organic forms in contemporary architecture.


Conclusion: Experiencing Unity with Nature

O’Keeffe’s art is not about capturing nature—it is about feeling it. Her paintings compel us to pause, to observe, and to immerse ourselves in the quiet poetry of the natural world. She redefined not only how we see flowers and landscapes but how we experience them. In her world, a flower is not just a flower; it is an invitation to see beyond the visible, to embrace the essence of nature itself.

O’Keeffe’s work is more than an artistic achievement—it is a reminder that the world around us is full of beauty, waiting to be rediscovered. The moment we look at familiar things with fresh eyes, we begin to understand the truth of what she sought to explore.


References

  • National Gallery of Art, "Georgia O’Keeffe: Living Modern"

  • Tate Modern, "Georgia O’Keeffe and the American Landscape"

  • Roxana Robinson, Georgia O’Keeffe: A Life

  • The Art Story, "Georgia O’Keeffe and American Modernism"

  • Georgia O’Keeffe Museum, Santa Fe

Comments